1001 Albums You Must Hear Before You Die: 32. Ray Charles – Modern Sounds in Country and Western Music (1962)

It was probably quite bold for Charles to take on the traditionally “white” form of music of Country and Western at the time, although it does mean that despite some more bluesy, jazzy takes on some of the songs the album tends to be largely comprised on maudlin ballads. Best known is I Can’t Stop Loving You, which provides a nice encapsulation of what this album does – Charles' soulful vocals over a lush orchestral arrangement and country-esque backing vocals. I thought at first it might be old Nelson Riddle on the arrangements as it brings the horn stings and mawkish strings of Wee Small Hours and Ella Fitzgerald Sings Gershwin, but it’s not, the arrangers are Gil Fuller and Gerald Wilson. Very Riddle-esque though. 

It’s not clear if Dimery recommends Volume One alone, or both Volumes One and Two. Two is worth it just for a swinging cover of You Are My Sunshine, which doesn’t really capture the darkness beneath a deceptively jaunty song (The Dead South do that very well), but is a nice duet (with Margie Hendrix) nonetheless. 

Overall, for me, this is one of those albums that dips back into the same well too many times to be truly interesting; it’s probably more a point for its social history than any true musical glory. If you like what it does, you’ll like it. I’m not a big fan of the lush orchestral production (you may have noticed), and Charles doesn’t get to play the piano nearly enough. He’s good, the production values are good, the (for the time) daring musical crossover is an interesting one, but it failed to stir me. 

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