An Atheist Explores the Qur'an Part 60: A Broken Moon, Plus: Taste My Punishment, Beeyatch (The Moon (al-Qamar))
The Moon
(al-Qamar) 1-54
A Broken Moon, Plus: Taste My Punishment, Beeyatch.
A Broken Moon, Plus: Taste My Punishment, Beeyatch.
Welcome to the next instalment of An Atheist Explores Sacred Texts
(Qur’an version).
In this series I work my way chapter-by-chapter through the
Qur’an, commenting on it from the point of view of the text as literature and
mythology.
For more detail, see the introductory post https://bit.ly/2ApLDy0
For the online Qur’an that I use, see here http://al-quran.info and http://quran.com
The Moon (al-Qamar)
1-20
“The Hour
has drawn near and the moon is split.”
The splitting moon appears to be some kind of
symbol of the end times; although it’s phrased very simply and matter-of-factly
here, it’s a great image; I love the way it was done in the Guy Pearce version
of the Time Machine. Perhaps the less said, however, about the Doctor Who
episode “Kill the Moon” the better.
The verses then go on to say how the
non-believers who claim things are just magic will emerge from their graves in
the end times and feel a mix of fear and embarrassment over having been wrong.
And to illustrate this, what better than a rehash of all the old prophets, yet
again.
It starts with Noah, in a vessel of “planks and nails”, and also this section
touches on Ad which is struck by an icy wind that knocks people over like “the trunks of uprooted palm trees”.
There is a good poetic device, however, where each description has a kind of
chorus that runs “Certainly
We have made the Qurʾān simple for the sake of admonishment.
So is there anyone who will be admonished?”
Aside from making the word “admonish” look odd, it’s a good recurring refrain.
As is
“So
how were My punishment and My warnings?”, although I think I’ve done the
“How’s my Smiting?” joke already.
The Moon
21-40
“Thamūd
denied the warnings, and they said, ‘Are
we to follow a lone human from ourselves?! Indeed then we
would be in error and madness.’”
I feel that the people of Thamūd had
a point – why should they believe the word of one man ranting about what God
has told him? There’s a level of confirmation bias going on here, as I’m pretty
sure you could find many more examples of times when somebody went around
prophesying terrible destruction because God warned them, and no destruction
came. Leave aside the obvious objection that the stories of, for example, Lot
and Noah didn’t actually happen and are merely illustrative fables meant to
show God’s power, and so obviously
things are going to work as predicted; it’s a little like marvelling at how
Gandalf managed to predict that leaving Gollum alive would ultimately be
beneficial. Even if we generously allow that these things did really happen,
that’s still only what, six examples when somebody warned against disaster, and
it happened. And for all we know these prophets could have simply been skilled
meteorologists.
Anyway, Thamūd has that weird test where they
hamstring a she-camel that they are supposed to leave alone (is this meant to
be a metaphor, perhaps?), and get destroyed by a “Cry” that turns them to stone. And then we also get a brief summary
of the story of Lot. “How’s my Smiting” gets joined by “‘Taste My punishment and My warnings!’”
as a bumper sticker.
The Moon
41-55
“Certainly
the warnings came to Pharaoh’s clan who denied all of Our signs.
So We seized them with the seizing of One
[who is] all-mighty, Omnipotent.”
The examples finish with Pharaoh, presumably
referencing the Moses story. Sadly we don’t get a return of the chorus; instead
that Qur’an offers a challenge to the non-believers – “Think you’re hard
enough?” (“Are your faithless better
than those, or have you [been granted] some immunity in the scriptures?”). The verses finish with
a reminder that the faithless will be dragged on the face into the Fire whereas
the faithful get “gardens and streams in
the abode of truthfulness”.
There’s not a lot of novelty in this surah, but the poetry in this one is
good; it actually feels like a structured poem rather than a lot of random
thoughts bunged together.
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