1001 Albums You Must Hear Before You Die: 103. The Jimi Hendrix Experience – Axis: Bold as Love (1967)

 

Considering none of the tracks on here are ones that I recognise from the hits and Best of...s, this is an extremely strong album where Hendrix and co. massively raise their game in terms of songwriting and sound palette sophistication.

Although there are some tracks, like Spanish Castle Magic, that evoke the prior album of distortion and wall of heavy sound, others are more delicate and nuanced. Little Wing features glockenspiel elements, while She’s So Fine features bass player Noel Redding on lead vocals and is a more poppy sounding affair. I thought there was use of wah-wah pedal as well, but apparently Hendrix played through a rotating Leslie speaker (the characteristic of a Hammond organ), which took me down a rabbit hole looking at when various pedals and effects came about, because that plays a large part in the distinctive sounds of a particular era.

The Crybaby Wah-wah appears around now (late Sixties), but is more associated with the funk sound which I think we will reach soon. Boss’s distortion pedal appeared in 1971, and prior to this a lot of the fuzz/distortion sounds were created either by cranking up the amps, or doing physical things to either guitar or amp (Dave Davies of the Kinks, for example, slashing his amp cone with a razor blade to get the sound on You Really Got Me). Which tended to leave you stuck with that sound, rather than dial it in and out.

Which is to say that Hendrix’s playing here is more like that; not all pure fuzz like before, but a mix. A couple of tracks, notably Little Wing and One Rainy Wish, sound like they’re about to launch into a soaring guitar solo only to fade out, but the Experience may just be teasing us for Hendrix’s masterpiece guitar solo on the final track Bold as Love, itself a multi-faceted song that ends with a solo that make your air guitar fingers twitch with joy.

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